Bond has just killed his first man – as shown in brief, brutal fight flashbacks which strain the 12A rating – and confronts a traitor in British Intelligence, exchanging pointed dialogue which leads to the ice-cold agent’s demonstration that the second killing is easier (‘Considerably’). Here, with a new actor cast as a Bond only just issued with his license to kill, we get an intense, black and white scene set in an office in Prague.
It does all the location-hopping, eye-opening stunt stuff and lavish glamour expected of every big-screen Bond, but also delivers a surprisingly faithful adaptation of Fleming’s short, sharp, cynical book with the post-WWII East-vs.-West backdrop persuasively upgraded to a post 9/11 War on Terror.įrom Goldfinger on - especially in the Roger Moore and Pierce Brosnan films - the usual gambit has been to open with a pre-credits sequence highlighting amazing stuntwork and a larger-than-life exploit. The only thing missing from Casino Royale is a truly memorable theme song. Otherwise, this has almost everything you could want from a Bond movie, plus qualities you didn’t expect they’d even try for.
